who could say in the dust and ash and poverty
of the million tiny moments and decisions which
cumulatively brought him to this wet and solitary
place in a cul de sac somewhere in north Leeds
whether it was the breaking of a relationship he
had so tried to break without breaking or the death
and deaths of brothers or the constant repetition
of hand movements and the assumption of
a persona so unlike that he espouses outside
of such contexts but the real life one perhaps
imagines there in the lush grass exchanged
for this barren garret this gibbet this social
housing with broken things in what passes
for 'garden' in this new world already old before
he arrives. it has a small balcony from which
one may observe other, similar buildings
wherein similar breakings continue quietly,
generally, with little exterior fanfare beyond
an occasional smashing or roaring which soon
dies down or is sucked inside to invisibility
or perhaps transmuted into posture, gait,
the distortion of musculature, character
armouring, pathology, the inevitability
of ill health and depression. the balcony
it must be noted, an invitation to a rainy
pendulum into a dramatic public cessation
.
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